Wednesday, September 9, 2026

Spiders in Space. Louis Shalako.











Louis Shalako


 

It all started off innocently enough, as such things often do, from a casual remark over a pint down at the old Cock & Bull.

Perhaps it was that third pint, but Harry had gotten this look on his face—Harry often had that look on his face, and this was one of those times.

“Spiders. Spiders writing Shakespeare—in space.”

“Hah. It will never go, old chap.” Hamble made a face. “It’s too obvious—too derivative.”

“Oh, I don’t know.”

Hamble snorted.

“What are you going to do? Gobble down some radioactive psilocybin and write that up?” He shook his head. “Why not monkeys, anyways?”

They’d have a much better chance in his opinion.

“It’s just like you said. It’s a little too derivative.”

“Uh, huh. Why not. It’s a hundred-million dollar grant, after all. Or more.”

The competition would be fierce, and not all of them crackpots, either.

Hamble considered it further.

“All right. We have nothing to lose. Just promise that you will try and keep it short—”

In the end, they had agreed to go with the monkeys.


***


The American Association of Astronautics had been founded by a bunch of major tech-bros in order to do some third-party lobbying on behalf of an entire industry. This was understandable enough, considering their plan to put a gazillion satellites into orbit, not to mention colonizing Mars and eventually, at least to hear them tell it, the very stars; and maybe even Uranus. Their biggest problem in terms of public relations was the prospect of forty launches a day, from each of a hundred-odd sites all across the nation, and as often as not from ecologically-sensitive areas, and just a little too close to suburbia in some cases. The odd rocket blowing up on the pad, or worse, above people’s heads, was only a secondary consideration.

Some genius had suggested a competition, open to all comers—and in their own words, give us your idea, and we will put you into space.

The total pot was two-hundred-fifty billion dollars. Once a year, in what had become an annual media ritual. Literal pocket change, or pulled out from under the cushions of the couch, for what were some fairly major dudes...

The competition involved first, second and third place, with a series of consolation prizes of one hundred million each.

Harry grinned, hunched over the keyboard.

Using existing assets, he figured he could easily do it for a couple of hundred million, three, three and a half at the most.

A few work-from-home engineers and a post office box was all they really needed.

It wasn’t the technical feasibility which worried him—it was the rationale for such an experiment, especially as he was going up against all the best universities, as well as a hundred, a thousand other hopefuls, big defense corporations and even high-school science projects. These were always good for some feel-good publicity, and every year, it seemed an effort had been made to squeeze one or two of the latter into the launch schedule. Calling it pure science, for some future benefit of the human race, (or hetero sapiens, by a recent presidential decree), had been the best he could do, and no one expected the President of the United States to be all that good at Latin anyways. Or even anthropology—

It was all laid out, thirty-one pages, all nicely formatted and with a few artist’s impressions just to bring it to life.

It was all there.

He bit his lip, and hit send.

 

***

 

The International Space Station had its challenges these days, abandoned for some years in fact, but a team of professional astronauts had brought up the original cargoes, first the work-stations, then the feeding and watering apparatus, a few bales of straw for bedding, and then, finally, a half a dozen monkeys, who, in some sense, reflected the challenge of maintaining a number of unsophisticated hominids in Low Earth Orbit when the subjects had limited knowledge and zero understanding of the ethical implications of their existence.

They were, in a sense, colonists—

They would have to be fed and watered, and provided with heat and an atmosphere just like everybody else.

When it came to intellectual stimulation, all that really took was a few pictures of bananas on a screen.

The last flight had brought up Hamble, joining Harry through the hatch and after stowing his gear, they had spent a few hours bringing in priority consumables. After a quick breather, on a word from Harry, he was strapping his backside down for a thorough briefing.

Sooner or later, the ISS must come down, but in the meantime, the human complement were all volunteers and all operations were on their own personal waivers.

He took a good sniff and heaved a deep sigh.

Hamble could smell every person that had ever been up there, and that was just a fact—

“So. Tell me about the spiders.”

 

***

Those are some ugly spiders...


“I’ll get to the spiders in a minute. Suffice it to say, the monkeys haven’t gotten too far along, although they did come up with a pretty good little sonnet just the other day…it was quite romantic. Also, you’re going to be up here for a hundred and seventy days. Try not to masturbate too much; it saps your vitality.”

“Hah.” Hamble’s brow clouded.

His most recent conquest had been a pretty little blonde of indeterminate gender orientation, with corn silk hair that had, in the end, gotten caught up in his teeth.

“A hundred seventy days, cooped up with half a dozen monkeys…and how many spiders did you say?”

“Well, it’s not that bad. We have to keep our eyes on the goal, after all, which is whatever cash is left over after all of this. And then there’s our memoirs, late-night talk shows, obscure podcasts, merchandising, and the like.” He glanced at his notes. “…so. In order to avoid explosive decompression, the bananas had to have an atmosphere at sufficient pressure to be transported into orbit. This is how the original spiders, or a bunch of eggs maybe, got up here. They seem to be doing very well, once the first few generations hatched out, and it’s all very exciting…somehow they survived all physical checks and routine irradiation, stuff like that…” He’d been thinking about that irradiation, and the micro-gravity, and perhaps some unique genetic expression in a novel environment.

People thought that evolution took a hundred million years, the very same people who had added five or six inches of height and a hundred pounds of average body weight in a single century.

It wasn’t always like that—the Galapagos finches, for example.

The monkeys, born on Earth, had been thoroughly screened and no surprises there.

Hamble considered it.

“The PETL people are all over it.”

“The what?”

“People for the Ethical Treatment of Literature.”

“…ah.”

“…why can’t we just get AI to do it, that’s what they’re saying…”

“Because that would be too easy—and it wouldn’t get us a few hundred million for this bullshit either. It would also defeat the whole purpose of the experiment. Which is to get a few hundred million for this experiment, but enough said about that…”

“If it wasn’t for bad news, we wouldn’t have too much news at all.”

“Hmn. Speaking of bad news, in compartment eleven, there’s a big, fat marmot that likes to eat rocks. No idea where he came from…that being said, we’re not here for science, so much as to generate controversy.” This was the old Russian module, which had leaked like a sieve.

Repairs had been carried out with brushes and crazy glue, and it was said the crew had been high for days due to the fumes…

Hamble stared, mouth open.

“Ah—a what?”

“A big, fat marmot that likes to eat rocks. My current theory is that it was some kind of unofficial mascot from a previous mission. When they returned, of course they had no idea of what to do with it. Figured it would just die or whatever, but, by this time, it was such an influencer, a real internet sensation, that some folks founded a foundation, and decided to feed the thing as long as it lived…” It was just one more payload, at so many dollars a kilo. “His name is Peter and the kids just love him.”

“And where in the heck did the rocks come from?”

“Ah. Gifts from adoring fans, just raising awareness of the need to send rocks or something. Some little place in southern Illinois. Ineffectual do-gooders, if you can believe it.”

“Oh, Darwin.”

“We only did so much research, right, and this was one of those popular middle-school projects. Miss Hillman’s grade-seven class of 2034, somewhere in Illinois, all those bright and shiny little-kid faces. The judges went for that one like fruit-flies on a baby’s blanket.” In that sense, an unforeseen circumstance.

 

***

 

Harry consulted his notes again.

“Okay. One more thing.”

“What’s that?” As if that weren’t enough.

“The spiders have come up with something resembling a short passage of Nietzsche infused with subtle undertones of Kafka. And I mean new material, and not just some egghead rehash…in spite of all those legs, plus the mandibles, all them freaking eyes, spiders really don’t type all that much faster than monkeys. Also, the caps-lock appears to be stuck on. It may be a while before we get much more on that one…”

Argh.

He looked up.

“So. I guess it’s about time we had a look at those spiders.”


***


“Ah! Ah! Ah!”

Hamble recoiled from the small view-panel on the hatch. The common, yellow house spider, Cheiracanthium, hundreds of them, had grown impressively large, their abdomens now as big as a tomato…

“I did say it was interesting.”

“Ah! Ah! No…no.”

“Yes.” Harry uttered a long, deep sigh. “Come on, Buddy. They’re beautiful spiders. It’s only a hundred seventy days…we might even learn something from it.”

“I want to go home.” Oh, Mother, how he wanted to go home—

But those spiders were effing big.

Hamble had a thought. He turned to look at Harry.

“How in the hell are you feeding them things, anyways?”

“Oh. Very, very carefully.” With a twist of the crank of the hatch, and one good, quick shove, Hamble was in there and it was time to kill the microphone and the cameras for a while.

So far, so good.

And—

Tomorrow was another day.

 

END

 

Louis has books and stories available from Amazon.

See his works on ArtPal.

Please consider leaving a rating or a review.


Thank you for reading.

 

 


Thursday, July 9, 2026

Coming Soon: The Dead Man's Touch, the Inspector Gilles Maintenon Mystery Series #11. Louis Shalako.

Hedy Lamarry, as I recall.







Louis Shalako


Coming soon.

 

The Dead Man’s Touch is the eleventh in the Inspector Gilles Maintenon Mystery Series. Still recovering from a fractured skull and temporary amnesia stemming from the Dead Reckoning case, Inspector Gilles Maintenon accepts three cases from the hand of Roger Langeron, head of the Sûreté in Paris. Two are baffling enough, and one seems deceptively simple. This is just the beginning of a complex but ultimately successful investigation by the officers of the Special Homicide Unit, one where truth is mostly lies and there are plenty of surprises.

***

Long Cool One Books is pleased to announce that The Dead Man’s Touch, the eleventh in the Inspector Gilles Maintenon Mystery Series, will be digitally published in a very short time.

It will appear as an ebook across multiple platforms, and as an audiobook on Google Play.

In the meantime, here is the tenth in the series, Dead Reckoning, available for free from Google Play in audiobook form.

Louis Shalako is the founder of Long Cool One Books and the author of twenty-five novels, numerous novellas and short stories. Louis studied Radio, Television and Journalism Arts at Lambton College, later studying fine art. His stories have appeared in Perihelion Science Fiction, Bewildering Stories, Aurora Wolf, Ennea, Wonderwaan, Algernon, Nova Fantasia, and Danse Macabre. He has been published in Dutch, Estonian, German, Greek, Portuguese, Romanian and two dialects of Spanish.

Louis Shalako does not use artificial intelligence (AI) in the creation of his works. 

Design by J. Thornton. A Long Cool One Book by Louis Shalako.

Thank you for reading.

 

#Louis

 

Louis has books and stories available from Amazon.

 

END

 


 



Friday, June 13, 2025

Broadsword Calling Danny Boy: on Alistair MacLean. Louis Shalako.

"Broadsword calling Danny Boy."






Louis Shalako



 

On Alistair MacLean.


I was just watching the 1979 film of Alistair MacLean’s Bear Island.

It has been said that the quality of his work was uneven. You could say that about any writer, if one compares the first thing they ever wrote against the last thing they ever wrote, along with some of the really great stuff when they were at their peak. Of course their work was variable, and so is mine and so is yours.

Author John Creasy wrote something like six hundred books, and there are a few in there, which I have read, where one wonders how it actually got published in the first place. Truth was, he was grinding them out relentlessly, at the dining room table, and trying to feed a family, when the going rate for a novel might have been a measly twenty-five pounds.

(How in the hell do you even do that? - ed.)

There is a big difference between six hundred books and twenty or thirty, that difference is the luxury of time.

I wanted to talk about Alistair MacLean due to the number of films that were adapted from his works.


First, a little background.


“In 1941, at the age of 19, MacLean was called up to fight in the Second World War with the Royal Navy, serving with the ranks of ordinary seamanable seaman, and leading torpedo operator. He was first assigned to PS Bournemouth Queen, a converted excursion ship fitted for antiaircraft guns, on duty off the coasts of England and Scotland. Beginning in 1943, he served on HMS Royalist, a Dido-class light cruiser. There, he saw action in 1943 in the Atlantic theatre, on two Arctic convoys and escorting aircraft carrier groups in operations against Tirpitz, and other targets off the Norwegian coast. He took part in Convoy PQ 17 on Royalist. In 1944, Royalist and he served in the Mediterranean theatre, as part of the invasion of southern France and in helping to sink blockade runners off Crete and bombard Milos in the Aegean.” (Wiki)

Where Eagles Dare consistently ranks among the top five war adventure films of all times, and that’s pretty good company to be keeping for any writer. The Guns of Navarone is an acknowledged classic, one I have viewed many times. Force 10 from Navarone, another classic film.

Alistair at about twenty.

In terms of comparisons, River of Death is quite terrible, at least in the film version. And I have read the book, in fact I used to check for new titles at our local mall book shop, way back in the days when we had time, money, and plenty of hair on the old noggin…a leather jacket and a seventeen-hair mustache, if you really want to know.

Fear is the Key, this film has one of the best car chase scenes ever. What might have been described in the book is fully brought to life in this one. MacLean loved sending things over cliffs, for example vehicles in Where Eagles Dare and Guns of Navarone, as well as Bear Island. There are probably others, and this is one reason why they’re called action-adventure stories. Oh, yeah. In Breakheart Pass, a train goes over a cliff.

He wasn't exactly messing around, when it came time for things to go off of cliffs.

H.M.S. Ulysses, his first novel, was based on his wartime experience in the Royal Navy.

This accounts for some of the naval themes, arctic themes, for example Night without End. There are lots of ships in his novels, Golden Rendezvous for example.

The list of actors that have appeared in the films is impressive. Richard Burton, Clint Eastwood, Donald Sutherland, Vanessa Redgrave, Harrison Ford, Robert Shaw, Rock Hudson, Charles Bronson, Christopher Lee, Patrick McGoohan, Carl Weathers, Lloyd Bridges, Anthony Hopkins, Jack Hawkins, Robert Morley, Edward Fox, Franco Nero, the list, ladies and gentlemen, goes on and on and on. Barry Newman, Ben Kingsley, John Vernon. Richard Harris and Anne Turkel, Burgess Meredith and David Janssen, John Carradine.

Robert Vaughn and Donald Pleasance and Michael Dudikoff in River of Death, just to name a few more. And I know I’ve left a few out—I had to, there’s just too many films and too many names.

Gregory Peck, David Niven, Richard Widmark, Ed Lauter, Ben Johnson, Charles Durning, Richard Crenna. Gia Scala and Irene Papas. As I said, this is a very long list.

Throw in a hundred more character actors, whose faces you might recognize, and whose names may be vaguely familiar, and you start to get the idea of just how successful Alistair MacLean actually was. Patrick Wymark and Michael Hordern, in Where Eagles Dare, for example, these actors each have very long lists of credits, starring and supporting roles, in film and theatre. Barbara Bach and Michael Byrne in Force 10 from Navarone is (or are), just one more example, then there were Mary Ure and Ingrid Pitt. Jill Ireland.

These are just a few of the ‘vapid females’ (essentially, Bond Girls), in what are called stories ‘of good Englishmen and bad Germans’. Which would appear to be an entire genre in itself, at least when a good writer gets hold of it.

It’s different for everybody of course, but when I read these books and saw the films for the first time, I was a young man, impressionable, an inveterate reader above all else. I soaked it all up like a sponge.

These are the stories that make a young man’s fancy turn towards writing a few stories of his own someday…

The books that kind of stick to your ribs, like soul food for the adventurous home-boy.

When I fantasize about my own humble bookshelves, which I do from time to time, (if only we had money!), this would be one box set I might be willing to pay money for—just for the purposes of study, scholarship, and maybe even stealing a few ideas here and there as a writer myself. Maybe even just learning a little something at the knee of a master. Or maybe it’s just some kind of an escape.

It always was, an escape.

There is nothing wrong with a little escapism, at the time we probably needed it, and there are times when we still do.

In which case, we will always have someplace to go.

I have written a critique of Where Eagles Dare, and you can read it at the link below. I describe it as ‘a series of plot holes flying in close formation’, and yet I still enjoy the film, just as much as I did the book, such a very long time ago.

MacLean figured out how to make it work for him, and perhaps that is the real lesson here. I have no idea of who the reader is, I have no idea if the lesson is relevant to you, although plenty of folks write, and plenty more dream about it just as I did. I can only hope you enjoyed reading this story.

No, ladies and gentlemen, it turns out the lesson was for me.

And why not.

I’ve always needed plenty of stimulation.


END

Plenty of stimulation.

Alistair MacLean. (Wiki)

When Eight Bells Toll.

The Golden Rendezvous.

Fear is the Key.

Night Without End.

Breakheart Pass.

Where Eagles Dare: A Series of Plot Holes Flying in Close Formation.

Why I Love Louis L’Amour.

On Agatha Christie.

Louis Shalako has books and stories, ebooks and audiobooks, available from Google Play.


 

Thank you for reading. The blog is acting rather wonky today, and trying to get the text all in the same shade of black has defeated me.


#Louis

 

 

 

 

 

Thursday, June 12, 2025

Why I Love Louis L'Amour. Louis Shalako.

He loved the stories.





Louis Shalako



Why I Love Louis L’Amour.

 

I love Louis L’Amour books and stories. I like the highly-romanticized version of the American West, which is only half myth. Some of it might even be real. And a lot of the rest is bullshit—

We’ll talk about that some other time.

I suppose it’s the action, the adventure, the escape into a world where the moral questions are easy enough.

It’s good versus evil, no mistaking that.

One must assume the characters are engaging, the women beautiful, the villains are clearly the villains. The landscapes in the background speak for themselves.

Louis L’Amour is one of the few authors that can regularly bring a tear to my eye. This is when the male character arrives in town, immediately goes for the most beautiful girl in town, and often noting that he’s going to have to buy a cow—for the milk, right, like when they marry, settle down, and have lots and lots of children. That’s pure romance, and even men like a little romance once in a while.

This is the character with a bag of peach pits and cherry pits and apple seeds to plant when he gets his own spread…a hard worker, someone with a dream, a story to tell, and not afraid of a fight.

Coming from an interesting background, not without its hardships, L’Amour had one hell of a resume.

From Wikipedia:

“Louis Dearborn LaMoore was born in Jamestown, North Dakota, on March 22, 1908, the seventh child of Emily Dearborn and veterinarian, local politician, and farm equipment broker Louis Charles LaMoore (who had changed the French spelling of the name L'Amour). His mother had Irish ancestry, while his father was of French-Canadian descent. His father had arrived in Dakota Territory in 1882. Although the area around Jamestown was mostly farm land, cowboys and livestock often traveled through Jamestown on their way to or from ranches in Montana and the markets to the east. Louis played Cowboys and Indians in the family barn, which served as his father's veterinary hospital, and spent much of his free time at the local library, the Alfred E. Dickey Free Library, particularly reading the works of 19th-century British historical boys' author G. A. Henty. L'Amour once said, (Henty's works) enabled me to go into school with a great deal of knowledge that even my teachers didn't have about wars and politics.

After a series of bank failures devastated the economy of the upper Midwest, Dr. LaMoore and Emily took to the road. Removing Louis and his adopted brother John from school, they headed south in the winter of 1923. Over the next seven or eight years, they skinned cattle in west Texas, baled hay in the Pecos Valley of New Mexico, worked in the mines of Arizona, California and Nevada, and in the sawmills and lumber camps of the Pacific Northwest. It was in colorful places like these that Louis met a wide variety of people, upon whom he later modeled the characters in his novels, many of them actual Old West personalities who had survived into the 1920s and 1930s.

Making his way as a mine assessment worker, professional boxer, and merchant seaman, Louis traveled the country and the world, sometimes with his family, sometimes not. He visited all of the western states plus England, Japan, China, Borneo, the Dutch East Indies, Arabia, Egypt, and Panama, finally moving with his parents to Choctaw, Oklahoma in the early 1930s. There, he changed his name to the original French spelling L'Amour and settled down to try to make something of himself as a writer.”

Something has been said about the Social Darwinism of some of his later books. It’s not unlikely he would be a conservative, a Republican. It went with the terrain. These were hardy, independent, self-reliant people who had overcome all odds, (those who didn’t die young), which is a recurrent theme of his stories after all. The fact that they’re not preachy or beat the reader over the head with it, is what helps to make them readable in the first place. I doubt if he had much sympathy for the truly criminal or the irresponsible or the just plain no-accounts.

Louis was not a lazy man and neither am I.

One of his more popular titles is the book and film entitled Shalako.

In a kind of tribute to a writer of what was, essentially, pulp, my name is Louis Shalako. If a name has any power, and I believe that it does, this is a great name and a wonderful homage to Louis L’Amour. Louis is of course French, and the Zuni Shalako is a celebration of the winter solstice, a time of rebirth, renewal, and consequently, great magic.

It is also a tribute to myself.

It’s very symbolic, but in a sense, I have remade myself. I wanted to make a few changes and so I did. All I ever really wanted to do, was to write pulp—genre fiction, ladies and gentlemen. I doubt if L’Amour set out to sell 200 million copies, that’s a ludicrous proposition. What he said, was that he would ‘try to make something of himself as a writer’. You have to admit, the gentleman was very successful. And imitation is the sincerest form of flattery.

It’s interesting that his father Anglicized the name but Louis changed it back.

L’Amour means love in French. This is pure deduction, but this is why the man changed it back. Louis loved the world he saw around him, the people, the places, and the times he lived in. He love the land and its history. It was his own form of tribute, far more so than LaMoore, if we think about it.

In that sense, he is a kind of inspiration to us all.

As a very wise man once said, love your customer.

And if you don't love something, you're going to hate everything, and that is no way to be, which is just plain miserable.

***

A bizarre anecdote. My uncle Ed ordered a sign to go out in front of the family business. When the sign arrived, it read E.S. Ambrose, Monuments. Authorized dealer for Rock of Ages. (A brand-name of the time, from a big quarry up in Quebec. He sold tombstones.) The correct spelling was Ambroise. About as French as you can get, right. But Sarnia was an English speaking town in Ontario. Ed being Ed, instead of boxing it up and sending it back, (at his own expense no doubt), he decided to live with it, although he’d probably still have the correct name on his driver’s license and stuff like that.

I'll need three tombstones...

END

 

Louis L'Amour. (Wiki)

A Lesson For Us All. Zach Neal.

The Zuni Shalako.

John Wayne as Reactionary.

Shalako. The film.

Louis Shalako has books and stories on Amazon.


Thank you for reading.






Sunday, June 1, 2025

On Wartime Housing. Louis Shalako.

730 square feet.












Louis Shalako



The new federal government of Canada is promoting home-building, and one aspect of the plan is pre-approved home designs.

There have been references to ‘war-time’ housing, which was built in large numbers and all across this country after WW II. Large numbers of service men and women were coming home from Europe and other theatres, and they needed two things. They needed housing, and they needed employment.

A large housing program served both needs, bearing in mind circumstances are different in the modern context. We have both a housing shortage, and a labour shortage. Funny thing is, there's no real shortage of money. Just look at the homes people are buying now, more importantly, look at the mega-homes that are being built.

By eliminating the basement, and putting the furnace, hot water tank, laundry tubs on the ground floor, you simply bump out the side of the kitchen and add a few more squares. You also save a big chunk of up-front money.

Young people could, in fact, afford a small starter home. The design, #50-13, seen above, stands at 730 sq. feet. My two-bedroom apartment is roughly equivalent. With pre-fabrication, the components relatively small, (for highway trucking), the longest elevation at 30', you could pump these out like so many hot rolls. You could sell these at $299,000.00, with the feds splitting the 10 % down payment, and a mortgage amortized over 25 years, at some rational rate. I’ll go three and a half percent compounded monthly.

All the interest has to do is to cover the costs of the program. Developers make their money by actually building the homes in a speedy and efficient manner. The faster you can build them, the better, and if you build it, they will come.

We have to start the conversation somewhere, after all.

All prospective owners would be subject to means testing. Essentially, are you poor enough to both need the program, but also, can you pay your own way insofar as you must—a very specific demographic group, largely consisting of what we might call ‘mature renters’, a group who might like to get out from under the stern eye of the landlord and maybe build a little wealth of their own, for, essentially, the exact same money.

The basic idea is that people could buy a house, on their own land, for $1,000.00 a month, of course on top of that would be municipal taxes, electricity, heat, water, and insurance and maintenance costs. The entire kit fits on a flatbed or inside a standard semi-trailer.

The kit might include all structural elements, and basic amenities like the furnace, hot water tank, bathtub, shower, fridge and stove, pipe for plumbing and rolls of wire and boxes of electrical components, bundles of shingles, stacks of drywall board, all of it packed into one or two long trailers. You can use the stock colours or upgrade at your own expense, however these are in no way ‘custom builds’. These buildings do not require marble floors and bronze countertops, and zirconium-encrusted platinum toilets a la the bourgeoisie.

We're building homes, not status symbols, or stroking the egos of the unrepentant hedonist.

Those people already have money, they already have their McMansions, if they have over-leveraged their credit portfolio, that is their problem and they can suffer the consequences of their own greed and ignorance, their lack of foresight. For all I care, let them rot or let them sell the his and hers Harleys to make next month's payment...but I digress.

Assuming services are on site to hook up to, the basic assembly is rather quick, finishing takes longer, and in some narratives, in the old 1 ½ story housing, the upstairs bedrooms might not have been finished, the basement, almost certainly not. Garages, privacy fences, decks and hot tubs can come later.

Actual plan from the era.

At any time, after the first five years, you could buy out the balance and own it free and clear. This allows for people to resell at a profit and pay off their debt to the Crown and the taxpayers. The initial covenant does not extend to the second buyer. They will pay something a little closer to a going rate.

After five years, the first owner has built up some minimal equity, been ‘forgiven’ the federal contribution to the down payment, and with a relatively stable housing market, the ‘going rate’ for a property of this nature probably has increased a nominal ten percent in value. Simply put, your new home value is at least, (and probably more than) $330,000.00. With payments, offset by interest, over five years, you probably have thirty grand, perhaps a little more of your own equity. If you sold right now, you have paid all monthly costs, but at least you get some if not all of your money back in terms of that $60,000.00 difference in home value.

(Thirty grand of your own and the increase in value combined. - ed.)

You ain’t going to get that in the rental market, are you—and now, perhaps, with a little in savings, with your personal circumstances now different, you might even go looking for something a little more up-market.

Okay, so the government and the taxpayers are not too interested in funding large-scale, tract housing with a bunch of ‘tiny homes’, eight by ten and with a hot-plate beside the door and a tiny chemical toilet in a box under the bed.

We are talking real homes, on perhaps a fairly narrow frontage, in order to maximize the impact of municipal services, including water, sewer, utilities like gas and power. I would suggest forty-five feet with no more than eighty or one hundred feet of depth. This allows for a one-car garage to be built at a later date, and a substantial yard with garden, play areas, etc. It’s a green space.

(The secondary or pass-on covenant, which is passed on to the next buyer, deals with issues like second dwellings, over-sized garages and other obnoxious uses. Human nature being what it is, this will have to be backed up by municipal zoning and ‘covenant’ enforcement bylaws. The financials are free market terms at this point. We would also like to see pure speculators kept out or penalized on subsequent sales. Call it 'capital gains' or something like that. Under the terms of this covenant, the owner must live in the dwelling. Buying one and then renting or leasing it out would be strictly prohibited.)

It is private property after five years. It is yours, free and clear, admittedly with a mortgage on it. In that sense, the right to private property and capitalistic concerns are acknowledged.

I don’t like concrete pads sitting right at grade level. I prefer a two-foot crawl space, this would be well insulated, but it also gives heating ducts and plumbing somewhere to go. It is not a living space and should not be treated as such.

What you want is a proper foundation below the frost line, a wooden deck with floor joists and the like. Construction is ‘stick-built’, but major components are done in a factory. With a floor plan of 30’ x 24’, that floor/deck is essentially three ‘panels’ of rectangular shape, each of which can fit on a semi-trailer. They’re all framed up, all you have to do is to drop them on the foundations and fasten them together. A note here. Some of the original designs were literally sitting on concrete blocks; which may, or may not have been set on footings below the frost line. However, in terms of the front wall or elevation, in terms of the factory-built model, the wall is all framed up, sheathed, insulated, electrical roughed in with coils of sufficient length sort of taped securely. Once the four walls are standing, trusses in place, plywood on the roof, windows and doors in, the wire can be pulled out, routed through the ceiling space to an electrical box in the utility area of the kitchen. Essentially, heat and plumbing are down and under, electrical goes up and over and back down, in my concept. A few bags of insulation for the ceilings, and voila! And it is time to move onto trimming and finishing out, perhaps carpet on plywood for the first few years, but it is a snug and viable home for those who qualify.

There is a new apartment building in town, and there are laundry facilities in each apartment. It’s a compact installation—each unit also has a separate meter for water and electricity, very much a trend in new apartment construction in this country. The rent is one thing, the monthly costs are another. In that sense, it is similar, and yet you own the end result.

To try and improve this design is to make it bigger, which seems fair enough. There would have to be a series of designs, all of them under $500,000.00, including a building lot and all service hookups. When you see the new builds in town here in Sarnia, Ontario, semi-detached and starting at $569,000.00, with a garage, a basement, a second floor, it shows what is possible using some imagination.

Another quick note, virtually none of these buildings are wheelchair or mobility accessible, which would require a single-floor design, with large doorways, ramps for access and much larger bathrooms, specially-designed kitchens for example.

Try putting one of these on its own lot and see what happens.


END


 

A Rational Plan forAffordable Housing.

Wartime Housing Report.

Approved Housing Designs for Ontario Region.

The Floor Plan of an Accessory Dwelling Unit.

What is an Accessible Home.

Here's one on a fair sized lot, $389,000.00

Louis Shalako has books and stories available from Amazon.

See his works onArtPal.


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