Showing posts with label craft. Show all posts
Showing posts with label craft. Show all posts

Thursday, November 7, 2024

Dead Reckoning. Be Happy In Your Work. Louis Shalako.

Maintenon as a very young man.












Louis Shalako



Be happy in your work.

Dead Reckoning, (provisional title), the tenth in the Inspector Gilles Maintenon Mystery Series, is well on the way.

I’ve gotten the story up to well over 10,000 words, since I started it on October 26/24. Interestingly, I had three lines, and a few notations at the bottom of the brand-new document, a grand total of 57 words, when I shut it down for the day and basically, just sat there and thought about the story. It was a form of commitment and I knew I was prepared to work at it.

How does it begin? (A dead body. – ed.)

How does it end? (A variation on a theme. – ed.)

And what do I do to fill up the middle. Almost any idea is good, and I’ve even written one of my own dreams into a chapter, in a book, which if nothing else adds something to the inner narrative of one of our characters.

I think about the stories at work, I think about them driving down the road, I suppose I think about them in the shower.

What really sucks is when you think of something in the middle of the night, and you have to fight the urge to clamber out of bed, fire up the machine, and tack that in somewhere before you forget…which you almost surely will.

My last mystery novel, A Stranger In Paris, took three winters to write, with bouts of about 20,000 words each, resulting in a novel of over 60,000 words. It’s also something of a masterpiece, but then, I did have plenty of time to think about it.

It’s genre fiction, pulp essentially, the only real advantage is that I’ve read hundreds of them and seen hundreds of them on film and on television. We get to see their strengths and their weaknesses, and if we think we can do better, then we should—and good for us if we do.

To steal from one may be plagiarism, to steal from many is pure genius. That’s a cliché, but I will go it one better.

I might steal, but only from the very best. This is how I end up with an idea, a gag, one that came from Conan Doyle, or Agatha Christie, and perhaps others, all mixed up like a dog’s breakfast in a story that is new, it’s fresh, and it is nothing if not original. But if you think about it, Sherlock Holmes was a master of disguise. Agatha Christie was known for gentle gender-benders, for example the accomplished actress who dressed as a man, in order to commit the perfect crime. (Ah, but as an accomplished actress, she was also the only one that could have pulled it off, which might have been her undoing in the end.) I promise you this much—if I live long enough, I will do the parody, where at the end of the book, every single damned character reaches up under the chin, grabs a hold of a little loose bit, and then peels off the rubber mask in order to become somebody else. (Ian Fleming, Live and Let Die.) This is the one where every single character in the book all end up in the same place, and every single one of them is pointing a gun at the next one’s head. Okay, I am exaggerating, but not really…sort of.

(There is such a thing as bad television. – ed.)

Yeah, but seriously. Everyone in the whole damned book is pulling off a rubber mask with one hand, and pointing a gun at the next guy's head with the other...the poor #basterd at the front of the line says, "...hey, wait a minute..." (it's not fair), and then he sort of shuffles along sideways, very, very carefully, until they all form a circle and then he can point his gun at the head of the last guy at the other end of the line. And then, the one you least suspect will pull the fucking trigger...

Probably me, but you never know.

(No one would ever suspect. – ed.)

And if you don’t believe me, you really should read A Stranger In Paris. As formulaic as the genre is and can be, the ending will still surprise.

And then you will know—

You can always throw in another hot babe.

So, if I peck away at this on some small, daily basis, it really doesn’t take much more than five or six hundred words a day to get a pretty good manuscript in two or three months. The key thing is to get to the end of the plot—we can go back and dress our figures, decorate our sets, explain the floor plans, talk about the town, describe the personalities, and add in essential details. We can plant clues to account for little events later in the book, we can take clues out, we can change the name of a character, we can copy and paste paragraphs so that they make a better kind of linear sense.

We cut words out here and add words in there…

I would like to equal or better my last work, and it may even be possible but you just never know.

I enjoy the work. You know, last week I recovered five email accounts. I still can’t get into one Amazon account. I need to get in there and update the tax page…I need to get in there just to change the recovery email and phone number. It took two and a half hours to change my telephone service provider, and the thing is still eating the battery at an alarming rate, and truth is, I’m still messing around with it.

I do not enjoy that work.

Writing is like sex, ladies and gentlemen. When it’s good, it’s great, and when it’s bad, it’s still pretty good.

This is not a contradiction.

Trust me, I know.

I’ve done a little bit of both in my life. Which brings me to the last point. If I get bored, I throw in another hot babe, and that helps to keep me interested.

And if some nice young guy falls in love with her, well, it all goes toward filling up that big long middle part.

 

END



Check out Louis Shalako’s A Stranger In Paris, available from Google Play. The audiobook is free, the ebook a reasonable $3.99.

Our good friend and colleague Harold C. Jones has just released Shipwrecked on Google Play.


Thank you for reading.


Friday, April 24, 2015

Speak Softly My Love, Chapter Sixteen.



"Oh, well, that's handy."


Part One
Part Seven 
Part Eight 
Part Nine
Part Ten
Part Eleven
Part Twelve
Part Thirteen
Part Fouteen 
Part Fifteen


Louis Shalako


Speak Softly My Love


Chapter Sixteen



“Oh. Sorry.” Hubert almost rammed the door into the back of Inspector Maintenon.

Maintenon turned and looked at him inquiringly.

“You guys are back pretty quick.”

Levain spoke up.

“Not much to it. Whole thing solved in five minutes. By the time we got there, a witness had coughed up a name. They saw the whole thing.” Uniformed gendarmes went straight to the fellow’s front door, where he was apparently waiting for them to arrive.

He had surrendered peacefully enough. He was still being processed and would quickly become another statistic.

“Well, that’s handy.”

Tailler was standing there, chewing his lip as Gilles took his hat off and hung up the jacket again, moving at a measured pace and clearly with his thoughts elsewhere.

Finally he turned.

“So. How are we doing?”

“Oh, yeah.” Tailler nodded firmly. “We got a hit, Gilles—Inspector. We never would have expected it, but Jeannine, one of the lady cops, actually spoke to the guy.”

“Oh, really.”

Tailler stood there with this lost expression, not quite wringing his hands, but clearly a little stunned by the development. After all they had put into it.

Hubert quickly explained how Jeannine had handled it, to an approving nod from Levain.

“Okay.” Maintenon went to his desk and sat. “So. What do we do now?”

Tailler nodded. He licked his lips and tried to think it through.

Gilles leaned back, put his hands behind his head. His eyes closed. Hubert thought he’d better help his friend.

“He was located in Chalons de Champagne. We have our people calling around, sort of backtracking. We’re trying to get confirmation of his movements—cities, hotels, wine producers, that sort of thing.”

He gave Tailler a look.

“Sir. We think maybe it’s time. Time to ask Monique to identify the body—if that’s all right with you?”

Gilles nodded, without opening his eyes. They all saw it.

“So in other words, play dumb? We know nothing until someone tells us otherwise…?” Maintenon nodded again. “Hmn.”

A wise policy.

“Ah…yes, sir.”

“We have one or two other questions we’ve been meaning to ask her. Also, we might get a few more people sent up over the course of the day. For our little phone project. Then we have this itinerary from Monique to check out.”

Hubert looked at Tailler with a raised eyebrow.

“I think that’s about it.”

Gilles nodded.

“Very well.” He sat up and opened his eyes, blinking and then giving them a quick rub with long fingertips.

He looked at the clock and then he looked at the coffeepot.

He looked at Hubert, still standing there as Tailler dropped down into his desk chair in anticipation, one way or another.

“Very well, gentlemen. Carry on.” His eyes fell.

Gilles lifted the cover of a dusty buff file folder. He took out the first page and began to read.

Tailler opened up one of several notebooks lying on his desk.

He was looking for her phone number.

“Monique, Monique…Monique.”

***

They were playing their cards very close to their chests.

Hubert had been the one who called Monique Godeffroy. He told her very carefully that they needed to speak to her and asked if she had any major appointments for the day.

"How did I get to be second banana?"
When she said that she didn’t, he arranged for the two of them to go around straight away. 

How in the hell he had become second banana was a good question, but Tailler was the one with all the ideas today.

When she answered the door, their initial impression of the woman was confirmed. Monique would spend forty-five minutes in front of the mirror every morning, regular as clockwork, every day, no matter what happened. It would have killed her not to. It was like she had just spent forty francs, not on her shoes but on the feet themselves.

Tailler’s own feet, encased in those hard leather clod-hoppers all day long, pounding hard pavement as often as not, could, on occasion, be a bit gruesome.

Her toes looked like little candies to his suddenly depraved eyes—he had no idea of what was happening to him lately, and there were times when the bizarre juxtaposition of psycho-sexual elements was just too much.

It was just too much to bear sometimes.

It’s not that Tailler didn’t feel terrible for her. Obviously, he did.

Of course he did. He very much did.

The trouble was that little element of doubt.

He was also a cop, and this whole thing stank to high heaven.

Even a missing husband wasn’t enough to interfere with what was clearly a strong need to present a carefully-composed face to the world. Not for one such as Monique. In a way, it wasn’t very likeable. It was merely beautiful to look upon. Tailler knew he would never really understand.

He doubted if anyone ever had.

“Thank you for seeing us so promptly, Madame.” Hubert took off his hat and stepped over the threshold.

She led them to the salon but Tailler jumped right in with the questioning before she could properly get them seated. The two detectives remained standing as if time were precious, which it was, actually.

“Madame Godeffroy, we were wondering if Didier had a passport. He must have traveled outside of the country from time to time.” Tailler’s tone was pleasant.

The longer they could keep her mystified the better.

“But yes, of course.” She stood there in forlorn, hopeless beauty.

She had intuitively picked up a hint of something, right out of thin air. They stared right back.

“Would you like me to get it for you?”

“Ah, yes, please. Really, it’s strictly routine…ah, Madame.”

The lady turned and stepped out of the room. They could hear her rummaging in a desk or dresser in a room somewhere near the back, on this floor still.

There was a little flip of the guts when she came back and she had the passport in her hand.

They desperately tried not to let on. Tailler nodded encouragingly.

Tailler extended his hand and she gave it up readily enough. He took a quick look at it, various dates and stamps going by in a blur as he riffled through the pages.

“If you don’t mind, we’d like to hang onto this for a while.” Tailler uttered a deep sigh. “Monique. I’m afraid we might have some bad news for you. And yet we don’t really know. In such matters, it is always best to be sure.”

She looked like a scared rabbit.

He slid the passport into his right-hand jacket pocket as her eyes followed.

Her hand went up to her mouth. Her eyes were wide with shock, and somehow she knew—just like the other one, Lucinde.

She knew.

“It’s Didier.”

“We don’t know that for sure, Madame.” Hubert to the rescue, but there were only so many ways they could play it.

Tailler pulled out the morgue photo, their best one, and showed it to her.

She gave a quick sob, and then slowly subsided onto the couch.

Tailler turned abruptly, going to the window. He put his hands behind his back, striking a pose of commanding rigidity. He’d been sort of wondering how to act. This would have to do.

Hubert settled down beside her, knees close to hers and taking her lovely hand into his own. 

Those lush, curving eyelashes batted back tears.

“This is very hard for you. But we need to have someone, someone who knows Didier very well, to come down and have a look at the body. Honestly, we can’t even really say if it is Didier—your husband. There’s no identification. The trouble is, Monique, that it might be, and we really need to know for sure.”

Tailler turned, sighing again, as Monique Godeffroy’s face fell into her hands and those lovely shoulders with their perfect, bird-like bones heaved and shook with the shock and the grief.

With a look at Tailler, biting his lip and kind of hating himself for that moment, Hubert reached over and put an arm around the lady.

“It’s all right. Just take all the time you need.”

She wept, falling over against him and there wasn’t much either one of them could do about that. He had a left hand so he brought that one up as well.

He had to admit, it was stimulating.

“There, there.”

Tailler’s guts were tight. There was such a thing as duty. Unpleasant as that might be sometimes.

“We have a car waiting outside, Madame Godeffroy. Is there someone we could call for you?” The lady was dressed well enough, he suggested rather gruffly, as if overcome with his own emotions.

It might even be true.

“We could call a friend. You don’t have to do this alone.”

Tailler was all mixed up inside, at least to a certain extent. It wasn’t easy for any of them, but they still didn’t know. Telling her that seemed to help, for she sat up again.

Hubert patted her wrist.

“We really don’t know. We really do need your help.”

She looked at poor Hubert with tears streaking her mascara and leaving two big trails down her cheeks.

“Thank you, gentlemen. I shall be quite all right.” The lady would do her best.

Hubert stood as Tailler turned and headed for the front hallway.

“Okay. Let’s see about finding you a coat.” Some kind of a hat, maybe.

***

"Oh, the poor man. But that's not Didier."
“It’s not him.” The lady sniffled, then her face turned and there was this look.

“What?”

She smiled. Teeth showed. She giggled and sniffled some more.

The lady sagged in relief.

“Are you sure about that?”

She turned and had another look.

“Oh, God. Poor man—but it’s not him. This is not my Didier.”

The two detectives regarded each other, as if in a state of mild astonishment.

“Okay, well. Huh. Well. What do you know?” Tailler was making an ass of himself and he came to a full stop.

“If the lady says it’s not him, then it’s not him.” For a minute, it looked as if Doctor Auger was going to shake Monique’s hand.

As it was, he gave a quick, odd little bow. Then he stood at ease, hands behind his back.

He had all kinds of experience dealing with this sort of thing. The detectives were caught a bit flat-footed.

He crossed his arms and gave them a happy nod.

So. What are you going to do about it?

Hubert and especially Tailler, were relative newcomers to the game.

“Oh, thank God. It’s not him. Huh.” Hubert took her arm. “Terribly sorry about all of this. Madame Godeffroy. Thank you so much for helping us out. Uh, huh. I guess we’d better get you home, eh?”

She turned, hugging herself in the cold and the damp, still looking at the man on the slab. The sheet was drawn down only enough to show the face.

“Tell me something, Madame.” Tailler figured it couldn’t hurt to press a little.

She was still giddy with the relief, and for whatever reason, perhaps disappointment, he couldn’t quite help it.

“Yes?”

She stopped and waited, Hubert right there, standing at her side. He regarded her with clouded, questioning eyes.

“Does this gentleman look anything like your husband? Didier? Anything at all. I mean…he’s the spitting image, at least in our opinion, in the photographs and such.”

She took a step back again. She looked at that cold, dead, waxen face, eyes mercifully closed.

“Oh, yes, I can see why you wondered—there really is a resemblance. But that’s not my Didier.”

Auger gave a subdued nod. That seemed clear enough. You couldn’t really do much better than that.

Tailler bit his lip.

He looked at Hubert.

“Okay. It looks like we are out of here.” He turned and gave the Doctor a quick and rueful grin. “We’ll give you a call. Thank you for all of your patience.”

“Not at all, my dear boy. It’s why they keep me around, after all.” He gave one last look at Madame.

They weren’t exactly messing about with that one, were they? The door was slow on its double-sprung hinges. Their voices faded off down the hallway.

“…we’re so terribly sorry, Madame. We know how very upsetting this must be, and we thank you for your forbearance…”

He could still hear their footsteps.

Her response was muffled and indistinct, but there were only so many things she could say. 

His gut twitched and he snorted gently, careful not to be overhead by a sensitive public. The door touched the frame and the latches clicked into position. He could go back to being himself again, a true scientist, for only then was he happy.

It was in the nature of his job, but he was always the last one to find out why.

As an expert examiner, giving testimony in court, he had always managed to keep a special kind of detachment. It didn’t pay to get too involved. He was not paid to speculate.

All he ever did was look at the body and write a report. He read it back in court and then answered questions as best he could.

That’s it. Job done.

He had to wait until it was in the paper just to find out what really happened.

But there was more here than met the eye.

Thoughtfully, he covered the face of their anonymous victim, and put the poor fellow away again.

With an internal monologue that never seemed to quit, Dr. Auger was never lonely.


END

Monday, November 4, 2013

Writing With Confidence.

Add caption










A few successful experiments in writing breeds confidence.

Over the course of time, that confidence becomes unshakeable.

I’m just in the process of finishing up the first draft of my twelfth novel. It’s at 56,000 words and I’m shooting for 60,000+.

It’s an interesting feeling, one preggers with hope and satisfaction. At the same time, I still need a cover for the book. It will be gone through a few times, as I check for errors of time and place, making sure all the names are correct, fleshing out room descriptions, character descriptions, decribing more fully the exterior places, and all that sort of thing.

It is a process.

There is this feeling of accomplishment. I totally controlled this book from start to finish, and it will end up at the exact length I projected. It’s more linear, smoother than the first two, (certainly the first one) and it pays more attention to tropes and conventions of the genre.

My last half dozen books have been like that, in that they all had a certain pace and came in where I wanted in terms of word count.

Lately I’ve been writing clean copy. It flows well enough, with some nice cadences in places. The Maintenon mystery series books do have a unique feel and voice to them. They are different in tone from much of what is out there and available to readers, as written in English by native English speakers. I had fun writing them, and it really is a kind of parody.

Set in 1931, this particular mystery involves the murder of an old woman, not rich but well-off, and as a writer there is the pleasure of learning about the era. The research into another time and place can be fascinating and educational. I am becoming comfortable writing about it, bearing in mind no personal knowledge of France, or Paris, or anything else. I know little of police work and have never investigated a murder.

In some weird sense, to set out to write a certain kind of novel is an adventure. No adventure would be complete without some effort, some sacrifice, one where you dig down deep inside and scrape the bottom of the barrel, just to keep going sometimes. This book required some stretch on the part of the author, if only in the discipline—writing day in and day out and keeping the project alive and moving forwards is half the battle.

There is that feeling that one has overcome all obstacles, and in that sense writing a book is a character-building experience in more ways than one. Writers are creative, resilient people, with a rich stock of personal attributes, including persistence and a willingness to take a few risks.

Otherwise we could never even finish writing a book.

To me, I think, the story is everything—and throwing aside all mundane considerations of a professional, or business type nature, there is such a thing as the art of storytelling. To master than art, in the form of the written word, well, that is my goal.

To look back, is to see progress, and to look forward, is to see infinite possibilities, although time is precious.

***

For the Maintenon series, bearing in mind my ongoing program of upgrading the marketing images, now would be a good time to get new pictures for the three books and the original novella. This will cost a few bucks and I can only put it on my credit card.

One thing I know for sure, I don’t really want a skull on the cover of a series that might go to twenty books or more, assuming I live that long and one new mystery a year.

This one needs formatting, ISBN number, and all of that. New covers take time to design. Barring unforeseen computer explosions, the book will be published in a couple of weeks.

“There’s many a slip ‘tween the crouch and the leap,” as my old sabre instructor used to say; which you can find in some old George Macdonald Fraser novel.

As for Maintenon Mystery # 3, I don’t even have a title yet.

Now that’s just sad, ladies and gentlemen!

For the Maintenon # 3 book I wrote 28,869 words in thirteen days, Sept 1-13, and then set it aside while I did other things. I upgraded numerous marketing images, put together three short story collections, published a few short stories, kept up submissions and blog posts.

There is the artistic, creative side, and then there is the business side. The business side can be creative as well, it’s a matter of seeing certain opportunities and then doing the work.

An example: with my new browser showing me things I couldn’t see before, and doing things I couldn’t do before, what are the odds that now I can complete the Canadian tax information on the Omnilit book publishing platform? As an independent author, I want to be on as many platforms and in as many stores as possible. Kind of a no-brainer.

It’s like there’s never enough time in the day, and yet day by day, and in every way, we just keep getting better and better.

I suppose I have an unfair advantage. I don’t have a spouse and three kids, I’m not dragging them off to grandma’s for Christmas, Easter and Thanksgiving. I’m not taking them to Mexico or Florida for a week in the winter and I don’t have to worry about summer vacation. I don’t have a big fancy house and lots of landscaping to look after, nor do I have two cars, a trailer, motorcycles, a boat and scuba or fishing equipment to look after or just move out of the way when I want something.

To those who say we are not in competition, I say, you know yourselves best. You know your own circumstances, and your own potential better than I ever could.

All of our circumstances are different, and to be jealous of someone else is a waste of my time.

To be spiteful towards them is to reveal our innermost insecurities.

Que sera, sera.

To those who say you can’t write a good novel in a weekend, I suspect you are right, but then neither one of us has ever tried.

This is why I really don’t have much of an opinion on traditional publishing: because I’ve never done it.

How could I possibly speak intelligently on the subject?

It doesn’t seem very likely, does it?

And anything they have to say about me is irrelevant, and most likely fatuous in the extreme.