Showing posts with label series. Show all posts
Showing posts with label series. Show all posts

Thursday, March 3, 2016

On That First Draft.

Introducing Calvin Schultz, our new P.R. guy.


























Louis Shalako




Our new mystery novel, Maintenon and the Golden Dragon, now stands at 42,400 words in manuscript form.

It’s always a mellow feeling, to know how it ends, who done it, what the writer has to do next, and approximately how much time we have to do it. Generally, the mysteries I write end up between 60,000 and 65,000 words.

I wouldn’t even know how to write a longer one. It’s basically pulp fiction. It would have to be a real saga, an epic to qualify for a hundred thousand words these days. My early novels were a lot longer. I reckon that’s fair. What we’re doing is following along with Inspector Gilles Maintenon’s career, during the twenties and thirties, on a case by case basis. It really doesn’t require much more than 60,000 words.

This is the seventh in the series and my twentieth novel overall.

The funny thing is, I’m a lazy guy. I sit around drinking beer. I’ve been taking an interest in cooking. Actual writing time couldn’t be much more than a couple of hours a day, although some days are longer. On a day-to-day basis, the plot inches ahead, and sometimes not even that.

Tonight, it’s a nice, relaxing, mellow feeling as I listen to the radio and ideas flicker through my mind.

As I’ve mentioned in previous posts, when working on a draft, all I want to do is to get to the end of the plot. I can fill in clothing, rooms, locations and their descriptions a little more fully later. I can describe people’s physical descriptions in more detail later. I can check names, facts, internal logic (and external logic in a series), and continuity. All that comes later.

Just like the reader, I want to know what happened. I need to see the end of it. Only then do I see what it takes to make the story work.

At this point, we have enough clues, enough leads, that we know we can crack this case even though there's still plenty more work to be done. We want to tie up those loose ends and nail this one down.

There’s plenty of suspense and a good bit of emotion before we’re done—but here at Long Cool One Books we are hot on the trail of a killer.

It’s only a matter of time.


END


 

 

Sunday, August 2, 2015

How to Rob a Bank, or Write a Book, or Whatever.





Louis Shalako


I began my eighteenth novel on June 27, 2015. I’m really only up to 36,000 words, and it’s already August 2. That seems a bit slow for me. I would generally try to write 2,000 words a day when working on a novel.

This one is a mystery novel in the 60,000-word class. (All he ever wanted to write was pulp fiction. – ed.) At that rate, barely a thousand words a day, perhaps a bit more, I can still have a good first draft by my birthday, which is August 9. The pace of writing has quickened in the last couple of days. This particular crime, involving a dead body in a bank vault and theft from safety-deposit boxes, is nothing if not complex. 

Even at a measly thousand words a day, there is hope for any author, or anyone who has ever wanted or considered or dreamed of writing a book. (I’ve done seventeen of them already. I’ve written eleven books in five years and numerous novellas, short stories, blog posts, etc.) According to Hemingway, people who talk about their writing or themselves are jerks, but he lived in another time and place.

(So fuck Hemingway. -- ed.)

I like to have some kind of ending in mind before I begin a big story. The story has a beginning, a dead body. I had an ending in mind. The only real challenge is the middle of the book—approximately 55,000 words or so of hard-slogging legwork.

That’s not to say I haven’t solved it, because I have. Obviously, if I can’t solve the case then Inspector Maintenon can’t solve it either. I try to challenge him, as he is particularly gifted…

This is a crime of imagination which speaks fairly well of the mind of the killer, who makes off with one-point-three million francs worth of uncut diamonds belonging to a depositor.

The series is set in Paris, France, during the 1920s and 1930s. It makes life easier for me. A certain reader will like the series, others will walk away and that’s fine. That’s the way the world is. I prefer to write historical mysteries.

For one thing, modern forensic science is pretty complex, and of course CSI is so pervasive. It’s already been done and it’s kind of boring and derivative as well. I’m not a big fan of swirling special effects shots where the viewer is taken down the bore of a microscope and then dragged like Fantastic Voyage through the cellular minutiae of a blood clot, (or semen), or snot, or shit, or piss, or whatever.

In a way, I couldn’t compete because I simply didn’t care to do the work. The Inspector Gilles Maintenon character was inspired by Maigret more than Hercule Poirot. He was inspired by Agatha Christie much more than Closeau, although there are certain parody elements in each story. This one, ‘How to Rob a Bank’, is obviously a parody of the locked room mystery, which I had actually done before in The Art of Murder.

It’s merely a variation on a theme. I have to admit, this one has been a tough case to solve.

As a person heavily influenced by music, one of the things I tend to do in books and stories is to use a kind of structure. I like to throw in what I can only call refrains, riffs, or hooks. Any writer knows about the hook at the end of a cliff-hanger. It sucks the reader forwards. A good musical example of this would the little guitar flourish, right at the end of a major riff. There’s still one or two scrapes against the strings. The artist found the time and had the presence of mind to squeeze it in. That’s what I’m talking about. It’s what makes a song unforgettable as opposed to merely good.

Another thing is timing. Take Led Zeppelin’s Wanton Song, or Steely Dan’s Reeling in the Years. The timing on the cymbals or high-hat demonstrates this exactly. Man, when I write, I want to hit every beat, whether it’s the swing beat of The Police or John Bonham’s heavy and very distinctive attack on the drum-kit. An attack which is beautifully parodied, in the best kind of homage, by The Rival Sons in their best music. Imitation is the best form of flattery, and there are times when the student surpasses the master.

All good writing begins as fan fiction.

Anyways, ladies and gentlemen, we’re under pressure and out of time.

Have a splendid day.

‘Cause I know I sure will.

Oh, shit, I almost forgot. Inspector Gilles Maintenon Mystery # 6, ‘How to Rob a Bank’, will be complete, fantastically good and available for pre-order by, or on, or about, the end of August.



END



Thursday, July 9, 2015

Excerpt: Maintenon Mystery # 6, a Work In Progress.




Monsieur Noel is of course devastated.


(This is a work in progress and subject to revision. - ed.)


Louis Shalako




Traffic between the Quai d’Orfevres and the Boulevard des Italiens was heavy, not unexpectedly for the day after a long weekend. After the Resurrection, Jesus had returned to stay with the Apostles for forty days and then had been lifted up into heaven. Gilles’ own weekend, not being a particularly devout or even reverent person, had been spent quietly at home with the radio and his newspapers. Thankfully, they didn’t have far to go. The vehicle was warming up inside and they were fairly heavily dressed.

The weather had broken and the brilliant sunshine promised better things to come.

“What’s your name, young man?” Gilles was always on the lookout for new talent.

“Constable Renaudin, sir.”

“Don’t go anywhere. And for Christ’s sakes, park somewhere we can find you.”

“Yes, sir. Absolutely, sir.”

Doors thudded shut and Maintenon and Levain quickly mounted the front steps of the imposing building.

“Right, then.” Renaudin put it in gear and eased it forward, the most recent in a long line of official vehicles.

He left a little room in front of her. They could get out in a hurry if they needed to. It was always best to think ahead when dealing with the brass hats. There were one or two other uniformed types hanging around if he got bored and felt like talking.

Whatever was up, it looked like he might be in for a bit of a long day.

Renaudin got out of the car, needing a smoke. Some senior officers would shit all over you if the car smelled like dead tobacco.

There was a small throng of people, milling round in front of the building. Two other uniformed gendarmes were guarding the door, but talking to each other and not paying much attention.

“Move along now, there’s nothing to see here.”

A lady accosted him.

“Officer. That’s my bank. What’s going on? I have to get in there—”

“You know as much as I do, Madame. Do you have a car?”

She shook her head.

He thought for a moment, then began to give the lady directions to another branch via bus or Metro. At her age, it was a bit far to walk. After a minute, there were more than one listener clustered around him.

***

“Sir.”

Gilles flashed his badge at an unfamiliar gendarme, terribly thin and cadaverous even at the age of twenty or whatever, and their footsteps rattled and echoed in the cavernous space, all polished stone and hard surfaces.

A harried-looking individual broke out of a huddle with other similarly-stressed individuals, all of them remarkably of a certain stereotype. The detective hurried forward to meet them.

“Ah, Inspector Maintenon.” He extended a hand in genuine gratitude. “I’m Detective Grosjean.”

His sharp eye took in the hulking figure at Maintenon’s side.

“Hello.”

Grosjean grinned.

“Andre Levain, right?”

They shook hands quickly. Grosjean took a sober look at his hand afterwards, but no, it was still all in one piece. It hadn’t been crushed or anything…that was sure interesting.

“Come right this way, please.” He turned and led them through a featureless door in a flat section of the wall beside the main service counter.

***

There were too many people in the room. As soon as they saw Maintenon their voices lowered and they focused on the work. They were still taking photos and dusting every conceivable surface for prints. Any distinctive shoe-marks would have long since lost any meaning in the shuffle of men with big feet and habitually wearing stout, heavy shoes.

Grosjean was right there at his side.

“Who found the body?”

“A Mademoiselle Emilie Martin, head cashier. There were security guards on duty all through the weekend. The big branch manager, Monsieur Noel, was the first one to arrive this morning. The call came in at about twenty to nine.”

Maintenon nodded. Levain squatted by the body, awkwardly leaning in over a puddle of amorphous fluid with little chunks of something in it.

It must be vomit, there was some on his cheek and some on his shirt-collar.

He looked up at Grosjean.

“Personal effects?”

“Haven’t looked yet. Quite frankly, I was leaving that for you boys.” He gave Gilles a considering look. “I know when I’m a little out of my depth.”

“There’s no obvious signs of violence, Boss.” Levain tentatively sniffed the air.

There was vomit on the floor. The man’s face was frozen in a rictus of agony. He had died with his eyes open and full awareness. Gilles studied the man, standing over him. There were signs of bruising where he must have fallen.

“He was lying face down according to our witnesses.”

Just the usual smell—a lot of urine. The outline of the stain was still there, but it had dried over time. He wondered exactly how long that would take under these conditions. Not all goners shit themselves, a fact for which Levain was truly grateful at times.

Levain had his cotton gloves on and was going through the pockets.

“The deceased is one Daniel Masson, deputy assistant manager or something. Third from the top in the local food chain. He was authorized to enter the vault, which he would normally do only during business hours. There’s a time lock, and we’ve called the makers. They should be here any time now, and we’ll see if the time lock has been fiddled.”

Maintenon nodded thoughtfully, watching Levain and looking around.

Levain pulled out a set of keys, house and vehicle. There was a wallet, a few hundred francs, small change, a packet of cigarettes and a heavy gold lighter in the jacket pocket. As might be expected, the clothes were very good in the fit, and relatively expensive.

“Hello.” Levain’s jaw dropped and he pulled an apple out of the right side jacket pocket.

“There’s another problem.”

“Ah. There always is, isn’t there?”

Inspector Gilles Maintenon, unusually clean-shaven.
Grosjean grinned wryly at the Inspector.

“Yes, sir. Ah—according to the manager, the main vault looks okay—he says he’d have to do a proper count, but it looks undisturbed. Otherwise there would be one hell of a panic. As it is, they’re merely scared shitless. On the other hand. We have all of these safe deposit boxes.”
Maintenon’s eye swept the room. They were all closed and none of them appeared to be damaged or disturbed at first glance.

“Yes.”

Grosjean let out a long breath.

“What we were thinking, sir, was to have the manager call a few people, hopefully discreet people…and have them come around and check their deposit boxes.”

“Hmn.”

It definitely was a ticklish sort of situation.

Gilles nodded sharply. Yes, they had damned well better get some answers.

“Yes, but first. We’ll have the bank’s people check all the empty boxes. They can use their records, and we’ll eliminate them first…n’est pas?”

“Sir?” Grosjean was slightly baffled but not the argumentative type.

Levain rose stiffly, accepting a bag from one of the attending technical people and carefully signing and dating it. In went most of the materials.

“Check that apple for prints.”

“Ah, yes sir.” There was this look on his face, but one never knew of course.

There was one more item, this one from the right-hand jacket pocket. It was a small, heavily creased bit of shiny paper. He brought it up to his nose and sniffed it suspiciously. There was the hint of something…perhaps fruity? A candy wrapper. He shook his head and put it in the envelope as well.

Levain looked at Gilles.

“This looks like one big, fine mess, Boss.”

“You can say that again—but please don’t, Andre.”

Grosjean stood there, staring at his crime scene, slightly hunched at the shoulders, his Adam’s apple bobbing up and down. They really had their work cut out for them on this one.

This case had pressure from above and inside job written all over it.

***

Under the gun as they were, Gilles made a quick decision.

“All right. We’ll have a bank employee standing over us as we work. I’ll have to make a quick call to Chiappe—the Commissioner. But I honestly don’t see what else we can do.” The thoughts of dozens, or hundreds of citizens, going by the number of safe-deposit drawers in the room, God-damned civilians, coming and going to check on the contents of their box, was appalling.

Yet it probably would come to that—off the cuff, he couldn’t think of a similar situation or he might have had a better idea of how to proceed.

That was a last resort.

“When you open a drawer, it should be empty. If it’s not, photograph the contents, dust for prints, tag it and bag it for the lab.”

“Any questions?”

“No, sir.”

Andre winked at Gilles.

“Nope.”

“Very well.” Turning, Gilles beckoned Grosjean to come along. “Let’s make that phone call and then we’ll speak to the manager.”

Grosjean had brightened up considerably, now that he had some competent help on the scene. 

The thoughts of speaking to Chiappe, whom he had never met, were not all that welcome.


End

Check out Architect of His Own Destruction, the fourth in the Inspector Gilles Maintenon Mystery Series.